Archive for the ‘how to’ Category

Stretch principle and throat

July 13, 2009

The principle of stretching to straighten the posture also applies to the throat and mouth, except here now, it is not necessarily to straighten. It is to additionally expand and sometimes to lengthen.

In practicing singing here, constantly strive to open your back of the throat muscles wider and lengthen the back of the throat. Overtime, these muscles will regain their tone and the more capable sounds created will be available when you are singing.

These efforts also enable for new types of sounds.

Remember that the support structure for the throat and neck will affect these muscles, which will then facilitate for the inner throat muscles to lengthen and expand.

Many people have trouble with the support structure for the throat and neck, and these top of chest, shoulders, and upper back muscles and spinal alignment issues can be difficult to get rid of.

Additionally, these are locked in placed by the excessive tension in the throat.

advanced posture-effect concepts

July 11, 2009

Nose–less strain on nasal muscles (e.g. effort, strain, disgust).    In addition to singing better, this will make breathing easier.

Eyes–less intense around eye muscles. Result will be better 3D perception and more color intensity. Audience perceive singer as less strained and more relaxed. Also ties into nasal muscles

Principles here are the same–more relaxed the muscles, better physiological results and better singing.

The strained efforts seen frequently on singers can have emotional stage impact, but for better range still, more relaxed face and nose can create higher range sounds.

anger, sorrow and side of throat muscles

June 18, 2009

These side of throat muscles frequently express anger and sorrow; subjects that pop songs frequently deal with. When overly taut, these muscles can be sublimated to sing anger and sorrow well, however, these are the opposite muscles (constrictor muscles in Alan Greene’s terms) when singing happy and many smooth sounds.

When detensing, losing the excessive tension of these side of throat muscles can throw off prior acquired singing skills built up around these. In this way, Alan Greene’s assessment of silence while learning how to sing–otherwise, reinforcing the constrictor muscles, is correct. However, the length of time it takes to detense these constrictor muscles can be months to years; so VocalPosture.com believes it is better to utilize their sublimation while tensed.

In detensing these side of throat muscles, one imagery technique is to think of the chin pulling down, instead of the side throat muscles near the chin pulling down. 

The side of throat muscles tension are particularly difficult to rid.   A trigger point therapy bood mentions that throat trigger points are particularly difficult to rid, if impossible.   VocalPosture.com suggests using yoga cobra with also another (don’t know name), which looks like a cobra in reverse, with the front toward the ceiling and upper arm with elbow base supporting the upper chest.

Chen Sun

www.WebAndNet.com

www.WebBIZcard.com

Timing is based on mental music

May 20, 2009

In VocalPosture.com’s opinion, accurate timing is more appreciated by the audience than precise pitch, but perhaps less than tonal quality.   In the case of the lead singer, he or she actually leads the music as well; in which case, accurate timing is more challenging. 

In general, the music follows the singer, by a slight fraction of a second.

So, when singing, one can’t listen to the music and sing, because one’s slightly behind.   If using good karaoke music, the words are frequently slightly off cue, but even if on-cue, it’ll sound like you’re reading the words.  The singing has to be interpreted with and lead the music.   So, how is this done?

VocalPosture.com’s opinion is to create a mental picture of the song and sing into that song.   The mental picture is created by knowing the song in advance, listening to the music as it is occurring, create the mental picture of what’s to come, and sing in harmony with the mental picture.

Chen Sun

www.WebAndNet.com

www.WebBIZcard.com

Imitative singing

May 20, 2009

Imitation is natural to singing–that’s how people naturally learn. To stop this, the first is to recognize that this is a natural process. Next, one should interpret the lyrics and music, and put your own feelings into this. How would you feel sing this particular lyric?

Next, is a bit more challenging–when singing, you have to replace the “original’s” sound in your head with your new interpretation.
To help in this, you may want to incorporate the way you talk into your singing. Talking has numerous years of experience of nuances that is inimitable and has a great deal of subtlety. So, when you incorporate some of the talking acquired nuances, you’ll definitely sound original.

Chen Sun

www.WebAndNet.com

www.WebBIZcard.com

The first three steps to get started on learning how to sing

May 20, 2009

Learning how to sing is inexpensive. Here are several items VocalPosture.com recommends to start out with.

1. A Creative XiFi sound card (approximately $40 on sale) and a hifi audio cable to tie your computer into your stereo’s speakers. The XiFi has an audio processor chip that makes music, including downloaded music sound great!

2. An Internet connection to websites such as www.SingSnap.com  and www.MySpace.com’s karaoke section; both sites have free karaoke music plays and tens of thousands of songs.

3. A supportive person or audience. Find the most supportive karaoke bar crowd you can find.

That’s all you need. Everything else can be figured out.

Mouth and voice

May 18, 2009

The idea here, in the mouth region, is again, to release the tension, but after it is released, the objective is rapidly moving, freer mouth structure, not a great resonanting vocal structure (as suggested by Alan Greene). This will sound more natural.

question on yoga stretches

May 17, 2009

What is the best yoga stretch for the sides of throat muscles?

Feet

May 16, 2009

Fixing your posture starts at your feet. Very few people are completely symetrical, so the first question is is one side of your body taller than the other? If so, you may want to wear lifts on one side to balance. The new type of gel shoe lifts can be purchased economically, and simply inserted into the shoes.

Sandals are difficult to handle–Croc sandles work well here, because they have an edge that will help hold the gel insert.

The upper front chest

May 12, 2009

In addition to straightening the spine from the back, the upper front chest has to be pulled up. This also pulls up the rib cage. The result is better lows and the head also better balanced–for better highs.   The side of throat muscles need to be released of tension as well.