Archive for the ‘Zen concepts’ Category

Vocal Support

April 20, 2009

The question is posed, what is “support” , what part of the body is being talked about?

An initial answer is that support is working against the natural urge of the diaphragm to release the air that has been inhaled….” by Martin at http://www.punbb-hosting.com/forums/themodernvocalist/viewtopic.php?id=250 .

Martin says “This is achieved by resisting its movement. During singing, the waist muscles and solar plexus are pushed outwards, the abdomen around the navel is gradually pulled in in a constant and sustained manner, and the back muscles are tightened. The muscles in the loin are trying to push the pelvis backwards while the muscles in the abdomen are trying to pull the pelvis up under your body. This battle created between the abdominal muscles and the muscles in the loin is a valuable and important part of the support.

The support must however happen in a sustained and continuous manner as though working against a resistance, for as long as a sound is being produced. When the muscle contractions stop being sustained and continuous (for instance, if you can not pull the abdomen around the navel inwards any further or push the muscles of the waist or solar plexus outwards any further) then there is usually no more support. It is important to conserve your support energy so you do not waste it or use it at the wrong point in time. Do not use support before it is necessary for example when the singing gets difficult, such as on high notes or at the end of a phrase. Support is hard physical work so you should be in good physical condition.”

>>

Thank you, Martin. This is very interesting. Is your defined support term different from the use of the word usage meaning breath support?

I like what you wrote (rare for me, as you know), but want to add a few more challenges.  I agree with you on the strengthening the lower abdomen to gain support and improve singing. But, until I’ve had a chance to really test the intracies of the muscles you’ve described, am unsure what will really happen.

“Do not use support before it is necessary for example when the singing gets difficult, such as on high notes or at the end of a phrase.”

Also, regarding not to use before it is necessary, why is this?

To elaborate, in yoga, there’s a great deal of emphasis to gain elasticity and strength in the lower back and the waist area. And in Chinese thought, there’s an emphasis on an area immediately below the navel, called the Tan Tien. In yoga and other Hindu thought, the lower abdomen and waist is where the kundalini energy arises. So, it would seem that the support for a lot of physical power is already in other thoughts. The major difference between what you’ve described and Eastern thoughts is the application toward the voice. Hence, there’s a great deal of similarities between learning how to sing and Eastern “spiritual” practices (which include martial arts, yoga, and meditation). But, there no such “Do not use support….” that I’m aware of. It seems support is continually cultivated here.

So, my next question is…. Is support a postural support that is to be continually practiced on and strengthened, or is it an occasional usage in singing?

Chen Sun

www.WebAndNet.com

FAQ–Mixed voice

April 15, 2009

The question is what is a mixed voice?

 

Form a standing wave with the vocal tract’s resonating tube-cavity.  The result is that most of the amplification is through resonance and standing wave.   If you form the standing and resonating wave correctly, it will automatically have the mixed or full sounds—because the entire vocal tract is resonating.

 

To “mix” this sound, it is more a matter of subtraction—put a barrier to muffle or absorb the head or chest voice.

 

The question now is—how does one form the standing wave resonating tube cavity to begin with?  Obviously, if your posture isn’t correct, it won’t form correctly.   And if you have back of mouth obstructions it may not form the highs correctly.   So, the first step is to get your posture correct and then your vocal structure correct, which is what is described extensively in Vocalposture.com.  

 

From a “ZenSinging” perspective, the question should be, why don’t you already have a mixed voice?  The Zen answer is that you lost it.  So, the focus should be on restoring what was lost, instead of getting the mixed voice.   The restoration techniques are different from standard singing training techniques.

 

Maya and hearing

April 12, 2009

Maya is an Indian concept that is similar to delusion.   Hindu concepts are concerned with how the Maya mind tricks the individual into not seeing the real.  Then, Hindus and Buddhists practice meditation to bypass Maya and RESTORE one’s real self. 

Vocalposture is comparable here–it’s saying that the Maya mind tricks the individual into not hearing his real voice.  Straightening the posture (comparable to meditation’s focus on straightening the spine) is also used to bypass the Maya hearing.

How do we hear singing?

April 12, 2009

Response to question on singing and hearing….

When singing, I believe the mind uses the ear drum’s sensations together with other bodily sensations and the mind’s own desired heard sound to synthesize the mentally “heard” sound.

If one’s mind can affect one’s hearing of one’s voice, then, it seems
possible to retrain the mind to accurately hear one’s voice better.
If this is possible, it is possible self-teach oneself how to sing.

Let me give a example. I have weak highs, but, when sing highs,
somehow “psychologically hear” my highs’ volume is just right. Is it possible to remap my hearing such that my “heard” highs volume
becomes accurate?

It seem this can be a type of vocal training—training by getting
rid of mishearings instead of practicing one’s voice.  If such trained, all one has to do is to hear how one matches to the music and other singers—in order to sing better.

This is somewhat “Buddhist”, “Hindu”, “meditation” in approach—that is
getting rid of mishearing in order to sing better, instead of
practicing scales to sing better. Can someone advise me how this may
have been tried as a vocal training technique?

Problem with tape recorders is that microphone technology is usually
inaccurate.

Thanks,
Chen Sun
www.WebAndNet.com