Singing and posture–see Categories, About, Launch 4-2014

It is well known that the body can suppress pain and sorrow.   These are retained primarily in the muscles.  We also know, from Eugene Gindlin’s (sp?) “Focusing” the idea of microexpressions.  And from Travell, trigger points and taut muscles.   These are inconsistent with the idea that vocal structure is correct to begin with.  

It is these suppressed body pains that cause interference and can cause sublimation.

Tags: singing, tension

This entry was posted on April 29, 2009 at 1:23 am and is filed under theory on tension. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.