February 24, 2013

http://themodernvocalist.punbb-hosting.com/viewtopic.php?id=6400

 

“Are there certain physical exercises that singers should not do?
One exercise in particular is the pushup. They help me get toned quickly but they affect my breathing. After doing 20 pushups I start doing chest breathing and it becomes very difficult to go back to deep breths. Once my chest and abs get any kind of exercise eg pushup, sit ups it also cuts the endurance of my voice re: shallow breathing.
Have you guys ever had this happen to you? What did you do to remedy it?
I want to audition for a show (kinda like Trinidadian XFactor) and everything matters, looks, voice ect.
Thanks”

 

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A woman fan saw some baseball players in the 60s, walked up to them, and saw they were out of shape. She remarked, you baseball players are overweight. They replied, “but mam, we’re pitchers.” Nowadays, we have muscular pitchers. In the 60s, pitchers were actually discouraged from weight-lifting because it was thought this would shorten their pitch’s “stretch”.

I don’t know golf well, but my recollection is Lee Trevino, a champion, started lifting weights and never regained his “touch”. So, for some time, weight lifting was thought to be detrimental to golf because one’s touch is affected. Modern day golf pro golfers have muscular power.

So, IMO, yes it’s true that exercises can, in the short term, affect singing negatively. But continuous exercising along with stretching and good posture will do wonders for your singing.

 

Extending lows

February 24, 2013

http://themodernvocalist.punbb-hosting.com/viewtopic.php?id=6360

 

“So my question is, how much and how quickly can the low range be extended? And does doing so compromise the high range? It certainly seems like working on the high range has compromised my low range – Eb2 used to be a pretty reliable note for me and now it’s always a stretch…but could it just be cause I’ve neglected the low range?

As far as I know, expanding the low range is mostly a matter of lowering the larynx and maintaining fold closure, any other tricks you’d suggest to increase the low range?”

>>>

IMO, extending lows and highs can be similar and simultaneous. (e.g., think of Tom Jones).

Bass can be increased by extending the vocal tract for greater resonance of low frequncies and reducing amount of sound trapped inside the mouth-throat (enabling more such bass sounds to be released).

Highs volume is increased by sending sounds up through the back of the throat and into the nasal and sinus areas.

Increasing both is by first creating a longer, more spacious vocal tract in uplifting the back of throat (this slightly enlongates the vocal tract, enabling for better low frequency resonance), lowering the larynx (this increases vocal resonance space) and opening the mouth larger (to emit more sounds).   Placing the high notes more in the back of the throat in this shape vocal tract shape enables for more high sounds to get to sinus and nasal areas and resonante more.

So, my opinion is to create a singular vocal tract shape that’s right for both highs and lows and work on developing the full effects of this singular shape.    This is supported by Alan Greene’s book, the New Voice.

throat massage and myofascia

February 24, 2013

 

Anyone know more about these myofascia massage on throat methods?

Single register singing

February 23, 2013

 

10:52 seconds   Johanna Batiste Mancini– notes that there are single register singers.   Is this like Tom Jones?    The question is also why this is rare.  Julie Andrews also?   Appreciate your thoughts.

Movement and Walking

February 4, 2013

Legs, to be stretched continually, needs.   Some leg stretches are helpful, but walking needs to be changed such that it continually stretches.   This can be difficult.

My issues:

Left leg longer–doesn’t have a natural leg motion.   When moving with full leg, then stretches constantly.

Right leg shorter and not oriented properly– knee problem.

 

Shoes.  Shoes restrict foot bend while walking, due to the shoe sole’s tension against foot bending.

January 15, 2013

http://online.wsj.com/article/SB10001424127887324595704578241642030220064.html?mod=WSJ_article_comments#articleTabs%3Dcomments

 

Hi Michael,

That’s one way of looking at it.   A reverse way is perhaps sleeping (and also as described in my above post, daytime standing, walking, and sitting) positions can reduce stressors.

Certainly, when one is physically exhausted, falling asleep is rapid.   Why not, then, also mental exhaustion or agitation?  Eastern mystics have always emphasized the role of meditation in relaxing the mind.   How does sleep affect this?

The first and most critical step of meditation is to straighten the spine.  When one sleeps, one can become bent in numerous ways, such that some muscles are overstretched and some understretched.   A natural straightening of the spine will help these muscles to attain correct tone.

Stressors are usually compounded by out-of-tone muscles and glands.   The reasons why takes some time to explain and will be skipped here.  The general idea is to allows the stressors’ muscular and glandular compounding to be reduced by counteracting muscles, to achieve good muscular tonicity.   With this, the degree of stress felt reduces rapidly.

Hence, proper sleeping position, in my opinion, is optimal on the back, such that the spine’s S shape is properly stretched, and then stretching other muscle groups during sleeping movements. Unfortunately, to get to this point, one may need to do lots of extra stretching work.  Once one has sleeping illnesses, it takes some time and effort to recover.

Sleeping position

January 15, 2013

http://online.wsj.com/article/SB10001424127887324595704578241642030220064.html?mod=WSJ_article_comments#articleTabs%3Darticle

Nature’s millions years’ of evolutionary design has already predisposed mankind to proper sleeping position and posture.

Sleeping posture should be seen as part of overall posture.  This article speaks about treating pains with adjusting sleeping positions (and some parts are even inaccurate–for example, with acid reflux, do raise the bed, but don’t prop the head with pillows as article describes, because this bent head-chest position pushes the esophagus closer to acid).   But, the question remains of how is it people have differing sleeping pains to begin with?   How is it that different sleeping positions relieve, or should we really examine using reverse logic, what position-posture caused the pains?

Artificial comfort devices always has some kind of negative affect on evolutionary design, and the bed and pillow are artificial devices.  State-of-nature  sleeping surfaces are usually relatively firm and without pillow.  On such surface, the optimal evolutionary position is most frequently sleeping on the back.

So, how is it that sleeping backside is less common?   The bed and pillow enable these other positions, and over long time, contribute to the mentioned pains.   To properly solve these pains, the view needs to be taken of  incorporating posture-positions and ergonomic furniture during daytime, including sitting and head angles, (chairs, desks, shoes, and even eyeglasses are all artificial devices!) as well as degree of physical activity.

This is not to say changing sleeping positions won’t alleviate pains.  It does say that to prevent such pains involve changing the ergonomic environment daytime and nighttime, so that the efficient-Nature-designed body doesn’t have the pains to begin with.

Consistently singing higher

December 21, 2012

http://themodernvocalist.punbb-hosting.com/viewtopic.php?id=5791

“What I would really want is to be able to sing BUT sing in a higher key consistently. Alot of people always comment and talk about expanding your range and it seems to me they are talking about hitting higher notes NOT SINGING IN A HIGHER KEY.”

Agree in part with postings that singing consistently in a higher pitch CAN be same a few notes in a higher pitch.  But these can also be different.

One of several ways to attain higher notes is to force-strain the vocal cords, upper vocal tract muscles, and placing sounds through the upper roof of the mouth (bony).   The difficulty here is the continuous strain, but one can get terrific screaming types of sounds, for such desired effects.   Sharp highs too, as the bony roof of upper mouth doesn’t dampen sounds.   E.g. screaming for help gets terrific highs.

It is also possible to create a lesser strained, more melodic high, using resonance to replicate some of same sharpness, if so desired.   This involves in part by keeping the larynx low and placing some sounds through the back of the throat to the nasal-pharynx cavity, so head resonance occurs more easily.   Because the vocal cords and throat are also more relaxed in this technique, the cords-throat can also sing higher pitch.  Because this uses more resonance, cords and upper vocal tract muscles don’t have to work as hard for volume.

The SongBirdTree Youtube videos above are the Best I’ve seen.    Her swallowing tip temporarily forces the larynx to drop, and this opens up the back of the throat more, which in great part, enables the highs to be transmitted more out the mouth AND the nasal-pharynx.    Yet, I think there are better methods still.  Alan Greene’s book describes exercises to keep the larynx low.  My personal opinion is that posture changes will facilitate keeping the larynx low, and facilitate for the soft pallet to drop, such that the high sounds are additionally transmitted through the back of mouth, up through the nasal pharynx, for greater resonance.

Lastly, I’m uncertain of the initial question, as it relates to tone style.  It may be necessary change the mix.   For example, “The Lion Sleeps at Night”, it is possible to sing this using a full voice with on-pitch highs, but somehow, the bass just doesn’t sound right.   What one wants to do is to use resonance on highs, reduce lows, and use mic appropriately.

In short, singing highs consistently is sometimes same as reaching for highs, and change mix to create desired tone effects as well.

Yawning sing

October 31, 2012

http://themodernvocalist.punbb-hosting.com/viewtopic.php?id=5420

So I’ve been thinking about ways to get in more practice during the day, even at times I am not able to sing. My goal is super healthy, strain free singing, and I’ve had most success achieving (or getting close to this) when I focus on those yawny breaths. So my thought is to apply this kind of breath to every day speaking. Obviously, it will be a difficult transition at first, and people might think I’m a weirdo for pausing to take those breaths in speech. Ha, they might even just think I’m just a very a pensive person. Regardless, this is something I am going to experiment with over the next little while. I’ll update this thread with my thoughts as I have them.

>>>

Seth,

Innovative thinking on this. I had considered this option as well, but eventually decided against it. First, the nose does warm and help clean the air, so regular yawning intake isn’t healthy.   Second, it does look strange.   Third, one has to add pauses in conversation.

There are lots of things that can be done regularly, and these all basically involve posture.  Deep diaphragm breathing.   This is relatively easy, if you can keep the ribs uplifted.  If you can, deep diaphragm breathing will help attain easier power.

Incidentally, yawning breathing is useful for adding larynx drop while singing, but you may want to ask why singers can’t do this without the yawning breath, naturally.  In another word, why is yawning breath even needed, particularly if deep diaphragm breathing is already developed?

Larynx drop involves first a very good posture.   Afterwards it’s a lot easier and can be volitionally controlled.  Yawning breath can still help a bit more.  You can read about larynx drop in Alan Green’s book, and eventually, I’ll write about larynx drop and posture in http://www.VocalPosture.com.

Improve your posture regularly and your singing will naturally improve, and you’ll look great at the same time!

Excessive Mucus and phelgm and singing

October 31, 2012

http://themodernvocalist.punbb-hosting.com/viewtopic.php?id=5357

I seem to have a really big problem with mucous and phlegm, that gets worse the more I sing. There seems to be mucous in both my nose, throat, and lungs. How do you get rid of this without meds?

>>>

This doesn’t sound like the major contributor is allergies, as allergies generally produce a liquidy drainage, not heavy phelgm or mucus.   Allergies also produces sneezing and red eyes, so to self-diagnose it, look for other symptoms.

This does sound like acid reflux and/or improper technique that blows too much air into the nasal cavity.

To diagnose acid reflux, try any Over The Counter omeprazele med, such as zegerid or nexium for 4 weeks (preferably at double dosage–which is what doctors prescribe–and I recommend you ask a physician first) and see if your symptoms vastly improve.

To treat acid reflux, first incline your bed 6 inches at top; then even higher, if you can tolerate it.   This will stop nighttime acid reflux.

Acid reflux doesn’t reach your nasal cavity, unless– 1. stomach liquid can reach up to nasal cavity (which is unlikely, if you’re standing)    2. huge amounts of acidic fumes reach the nasal cavity (which is possible with improper singing technique and/or bad posture).

Whether you have huge amounts of acid reflux fumes or not, if a singer uses improper singing technique such that air is blown into nasal cavity regularly, symptoms such as you describe will result.

To treat:   1. resolve singing technique   2. fix posture   3. incline bed, if acid reflux.


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